Showing posts with label smellalikes. Show all posts
Showing posts with label smellalikes. Show all posts

Wednesday, February 3, 2010

Miyabi Woman by Annayake : Perfume Review & Draw

I’ve got something special for you today, something I’m quite excited about - the first review of Annayake’s newest fragrance, Miyabi! There’s a history of paying attention to this brand here on Fragrance Bouquet and I’m glad to have been able to have access to the perfumes in order to provide you with what I hope is a rather comprehensive picture of the entire line. So, the moment this became available here I procured a small quantity for review.

The news of these new perfumes’ release (one for men and one for women) broke out a while ago, but perhaps a less known fact about them is that their release is a celebratory mark for the brand’s 10-year anniversary. The gorgeous identical bottles (black and silver for him and ivory and gold for her), so elegant and at the same time easy and restful on the eyes, are meant to be a modern interpretation of the inkpot and brush, thus paying homage to the brand’s Japanese identity by evoking the art of calligraphy. The boxes in turn, are meant to evoke fusuma, the sliding rectangular vertical panels that separate interior spaces in traditional Japanese houses. The name -Miyabi- on the other hand, is harder to decipher: often interpreted by westerners as “elegance” or “elegance in beauty”, miyabi is in fact a highly complex construct, heavily influenced by culture. As such, it is very difficult - if not impossible- to offer a satisfactory translation. Without diverging too much from the topic, I will attempt to offer a brief explanation. Miyabi refers most notably to perfection, as in perfection in color, beauty, form and balance. Inherent in this notion however, is always the concept of transience - the passage of time itself. When it comes to a person, miyabi refers to their refinement and specifically their refinement of taste, their ability to discern elegance in everyday objects and to subsequently derive pleasure from them.

Now on to the perfumes themselves. As with most of the masculine perfumes in the Annayake lineup, I have to report that Miyabi Man is, in my opinion subpar. With notes of sandalwood and tonka in the base and sumptuous spices in the heart I imagined this would be a beautiful oriental but unfortunately the experience was that of a generic fresh masculine. Perhaps it is the cucumber freshness of the violet leaves that so put me off in my brief test and perhaps I should give it another try, but reader, I had to scrub this one off fast. Hence my focus only on Miyabi Woman today in any case, which I’ve been testing for a week now and which I am quite enamored with.

In my impression, this is a rather strange perfume in the sense that it does not follow the classic pyramid structure. Top notes for example, seem to be entirely absent: Miyabi instantly plunges the senses in a deep, velvety cocoon of softness. But Miyabi does not fit the bill of a linear perfume either. Its changes, albeit incremental are certainly discernible. Let me diverge for a moment however in order to give you a really good picture of this perfume. When I last visited Paris and had my first encounter with Paris-Moscou, I felt like this was one of the most unique gourmand perfumes I’d ever smelt. I was completely taken (and taken aback) with this incredibly fluffy, soft-as-clouds note that instantly made me think of a marshmallow (click here for my original description). Yes, I am still desperately in love with Paris-Moscou, I still think it is one of the best soft gourmands out there. But… it is not quite as unique as I thought it was. I’d never smelled a Britney Spears perfume till this summer, but something possessed me this past July while waiting at an airport terminal somewhere and I gave her Fantasy a try. Lo and behold, the beautiful marshmallow note, fluffy and sweet. Not nearly as refined as the Guerlain, definitely the drugstore version, but the note was there. Apparently, Guerlain didn’t quite get there first. Fast forward to yet another airport where I smelled Kenzo’s airport exclusive, 5:40 PM In Madagascar. That note again! Please be aware that I am not claiming all these fragrances are twins, just that they all contain this extremely compelling, beautiful new note that suddenly seems to be proliferating and that they all seem to be focused in highlighting it significantly. You obviously see by now where I am going with this… Yes, Miyabi is built around this note. This beautiful, mysterious note that smells of gorgeous whipped vanilla and fluffy, soft marshmallows. For the first hour or so of the development, it is beautifully supported by fragrant peach and an indistinct flowery mélange which is in turn hardened (read: balanced) by smoky cedar. As time goes by, the fragrance mellows as the tonka and ambery base notes come through more distinctively. The volume of the fragrance also drops considerably, radiating more quietly from the skin. Slowly, it transforms to a sweet woody aura, hugging the skin with sandalwood and musk. When considered as part of the lineup, it has to be said that Miyabi diverges considerably from the house style. The rest of the fragrances seem to have a clarity and translucency (even when the type of perfume would not lead you to expect such, e.g. a lactonic gourmand) that this one lacks. However the fact that it incorporates one of my favorite new notes (almost certainly a new aromachemical which produces this mysterious fluffy, vanilla-marshmallow effect) and that it does so elegantly, makes me enamored with it. The end result is a comforting yet peculiar, in other words interesting and delightful at once, at least if you are a gourmand lover. Lovers of Kenzo’s Amour and 5:40 PM In Madagascar and fans of Guerlain’s Paris-Moscou should definitely give this one a try.

Annayake has a rather limited distribution and never even makes it to certain countries such as the US, so I am offering a sample draw. If you are interested, simply leave a comment and you’ll be automatically included. Winner to be announced in a week’s time, next Wednesday.

Images: Fusama screens via Wikipedia and marshmallows via Flickr by John-Morgan

Thursday, November 19, 2009

Jabu by Mona di Orio : Perfume Review

Well, what do you know. After all my bemoaning and lamenting not being able to find a Mona di Orio perfume I can appreciate, I finally got the chance to smell her newest creation, Jabu, and I am more than a little pleasantly surprised. I am even more pleased for being in the position of finally writing a positive review about this solid, full of integrity brand.

Skins, one of my favorite stores here in the Netherlands recently held a beautiful launch for Jabu and Mona herself was present. Unfortunately, due to an incredibly busy schedule I was unable to attend, but as soon as I found some free time last week I popped by the store and together with my purchases I also received a sample of this fabulous new perfume.

Jabu means “Joy” in Zulu, and the perfume itself is dedicated to Orange Babies, the target group of the homonymous charitable foundation that helps HIV infected pregnant women in Africa and their babies as well as supporting HIV infected or otherwise affected by the disease children of Africa. Consciously thinking about this target group might bring somberness to our heart, but the perfume’s message is one of spirited optimism: the joy and the laughter of these children finally getting help.

As with all of Mona di Orio’s perfumes, a spritz on the blotter only tells half of the picture: the fragrance needs to be applied on the skin in order to show its true colors. A discreet sniff of the bottle’s stopper was enough for me to know that I’d like it, but didn’t prepare me for the fact that I’d love it. Smelling the stopper I got the impression that this would be a summery perfume, as all I could smell was a gorgeously frothy orange blossom scent. On the skin however, this develops into a supremely warm scent, absolutely fitting for winter and for special occasion summer evening-wear. But I’ve held you in suspense for far too long; let’s get right down to it and explore this beauty.

Jabu opens with the bittersweet, herbaceous, woody accent of petitgrain. Slowly, the woody-citrus freshness of petitgrain dissolves into the mounting sweetness of full, creamy orange blossom. The meeting of the two is incredibly uplifting, having an almost ‘sunshine’ effect on the senses with their jubilant character. The ylang ylang employed here is almost disturbingly oily at first, but soon calms, adding the most gorgeous exotic accent. This exuberant, fervently exotic side is further explored with the addition of monoi-tiare, which underscores the creamy lusciousness. The subtle coconut hint of monoi adds to the ‘texture’ of the fragrance, lending it an almost 'chewy' appeal. After this sumptuous extravagance, Jabu takes a surprising turn; slowly, the scent begins to quiet down, enfolding the wearer with a honeyed, serene sweetness. The buttery softness of sandalwood begins to emerge, mingling with a soft rose scent and the overall sweetness of the scent is cut slightly at the edges as the bitter-sweet scent of myrrh blooms. Together with another resin (the balsamic-vanillic Benzoin Siam - already very effusive almost from the beginning) and sweet tonka bean, these heavier base notes now firmly ground Jabu in the realm of the orientals. The impression is rounded off with gorgeous ambergris (as with Chamarre, the ambergris here is excellent and beautifully prominent) and deep, dark (albeit not dirty) musk.

Jabu is a chunky and powerful floral-oriental, a perfume you can truly sink your teeth in. Its femininity is all grown up and mindful of 80’s power-dressing. In fact, there is one perfume that Jabu clearly reminds me of, a perfume released at the end of the decade, but still thoroughly impregnated with the effusive, baroque style of 80’s florals and orientals. That perfume is Lacroix’s C’est la Vie. It’s been many, many years since I last saw C’est la Vie on a shelf, but the moment I smelled Jabu on my skin, the thought of it popped into my mind. A check for C’est la Vie’s notes revealed that my olfactory memory was very accurate indeed: featuring orange blossom, ylang-ylang, rose, amber, Benzoin Siam, musk and vanilla, C’est la Vie reads like Jabu's predecessor. Having said that, Jabu does bear Mona di Orio’s signature and once you smell it, you will definitely have no trouble recognizing it as one of her creations. Still the two are strikingly close in feel and scent and I hope that this comparison helps you get a clearer picture of what Jabu smells like - especially important since many will have to purchase online due to the lack of brick-and-mortar distributors. If you like Lacroix’s powerhouse gem, you’ll be sure to love this one, which appeals with modernized sophistication and updated, soft voluptuousness and projection.

Importantly, I have to mention that Jabu is not only dedicated to Orange Babies, but also supports the foundation with donating proceeds. I am not sure what percentage of the profits goes to the charity when you buy Jabu in other parts of the world, but currently, if you buy Jabu at Skins, a whopping 100% of the proceeds go to the foundation! For those of you not living here in the Netherlands, you can also purchase from Skin’s webshop by clicking here. The language can be switched to English by clicking on “selecteer taal” and Skins will ship internationally. (Editor’s Note: Fragrance Bouquet is NOT affiliated with Skins, but loves the shop and wishes to support the charity.) If you wish to know more about the Orange Babies foundation, you can reach their website by clicking here.

Images: www.monadiorio.com, www.sxc.hu, www.mes-parfums.com

Wednesday, September 30, 2009

Boss Orange by Hugo Boss : Perfume Review

Boss fragrances are usually received with deafening silence in the perfume blogging community, and not without good reason: the fact that each perfume in the lineup has a name that is some sort of confusing (and utterly ungoogle-able) variation on the Hugo Boss name is enough to baffle the Boss marketing execs themselves, but most importantly, the fragrances have for the largest part been as indistinctive and bland as their namesakes. Myself not excluded from the collective perfume-community derision regarding the Boss fragrance lineup, I’d completely ignored the latest launch, Boss Orange, ever since it first appeared on the shelves. When my newest Douglas magazine arrived with a free sample however, I decided to test this on my skin. Time to eat my words? Well, yes. I actually really like this!

The opening is not the strongest point of Boss Orange: a soft, smooth peach note is combines with juicy, barely-there notes of pear but after a few moments a strong note of dry, tart green apple takes over completely, dominating the composition. It is not unpleasant per se, but while the peach-pear combo was juicy and natural smelling, the apple note is more on the synthetic side, and most importantly rather intrusive, not really allowing the wearer to focus on any other facet of the perfume. Undoubtedly, it adds freshness to the composition, but this is the kind of harsh, urgent freshness I could frankly do without. Fortunately, about fifteen minutes later the apple note loses its sharpness and evolves into a far more agreeable presence. The soft, woody-oriental base starts coming through, lending easy, comfortable warmth to the overall feel of the perfume. At this point, Boss Orange smells like a Burberry fragrance in character and feel, so lovers of Burberry fragrances should definitely give this a shot. The best comparison I can make is that this smells like a combination of Burberry Classic with its dry apple overtones and Burberry Brit, with its sweet, woody-vanillic oriental base (albeit not being nearly as sweet as Brit). I do not smell much of the reported white floral heart notes, except perhaps a vague, well blended jasmine-y floralcy. What I do perceive intensely and find myself immensely attracted to is a lovely milky accord running through the composition and easing us into the beautifully creamy base notes. Rising light vanilla cream with a subtle hint of cinnamon and beautiful, sweet, buttery sandalwood make for an amazingly attractive base that lasts and lasts. I can see this being a comfortable every day choice for autumn and winter, something you put on and feel good without thinking too much about it, like a favorite sweater that despite its simplicity just works, making you feel gorgeous. Boss Orange is comforting and cuddly, while at the same time being sensual enough to make others want to lean in and get a proper whiff. I’d very happily wear this if it was given to me. If the (rather prolonged) sharpness of the opening does not put you off, you'll be rewarded with a very pretty every day oriental that dries down to a wonderfully yummy vanilla-sandalwood scent that is not only beautiful but also addictive.

Images: www.boss-fragrances.com

Tuesday, July 14, 2009

For the Love of Perfume, Fashion and All That is Fabulous: Paris (Part 6 – Last in Series)

Well, as you might remember we had left off excitedly at Montale, but let’s not forget that the particular day was also riddled with pain – foot pain! After some intensive research on the internet (deciphering posts on French forums) we discovered that there was an official Birkinstock boutique at the Marais so the first thing we did on the next day was to revisit the area. (I am convinced by the way that this is probably the only place where one can find German shoe of comfort in Paris!) The Birkinstock boutique can be reached by stepping out on the Saint-Paul metro station. From there, it is just a five minute walk to the actual street, 16 Rue de Sévigné. But why am I giving you directions to the Birkinstock boutique? Because to my surprise, right next to it, on number 10, Rue de Sévigné, I found the most darling apothecary/perfume boutique – Senteurs de Fée! Once I had slipped my feet into the comfort of the Birkies (well, what can I say, some things take precedence over perfume!), I traced my steps back to the Senteurs de Fée and stepped into the fragrant little shop. A beautiful chandelier covered in ivy cast a soft glow over precious oils, soaps, sumptuous creams, ambience scents and yes, personal fragrances. Senteurs de Fée (meaning “Fragrances from the Fairies”) offers about 10 simply packaged fragrances that are absolutely delightful. Lovers of rose will delight in the pure Rose Nectar, a natural Bulgarian rose extract that is deep and fascinating. Other floral offerings include a gorgeous iris (Chant d’Iris) and a beautiful violet scent (Coer de Violette). I was most impressed with Douceur de Musc – a blend of the softest orange blossom and musks that strikes the perfect balance between clean skin and soft animalic undertones, to create a warm soothing layer of fragrance that seems to caress the skin with silken affection. It is absolutely delightful. My second favorite was their amber scent (the name of which I have unfortunately forgotten) in which subdued resins succumb to the embrace of gentle, sweet powder and the glow of ambergris. The end result is very neo-bohemian: velvety and sensuously disheveled, like tousled hair the morning after. This beautiful, romantic small boutique is definitely worth a visit – one of Paris’ best kept fragrant secrets!

The weather was sunny and beautiful and the particular neighborhood of Marais so charming, we decided to forget about our schedule for a while and to take a little walk. A little further down the Birkinstock boutique, we took a right at rue des Francs Bourgeois where yet another surprise awaited me at number 10: a new Guerlain boutique is set to open its doors there soon. Further down the road, at the corner of rue des Francs Bourgeois and rue de Turenne, we found a Bobbi Brown boutique. Being a great fan of sheer lipsticks, I couldn’t resist going in to play for a while with the Lip Sheers and the lip-and-cheek stains.

Next up, we set out to visit Les Nereides. I had quickly visited Les Nereides on my previous trip to Paris two years ago and had immense trouble finding the boutique. This time it was on a new location, their new ‘concept store’ and believe you me, I had just as much trouble (if not more) finding this one as well. But nevermind, it was all worth it. I went inside to sniff perfume (I was not familiar at all with the line’s musk scents, just the Oppoponax, Oriental Lumpur and their Patchouli as of recently) but got completely distracted by the shinies on display! Being a huge fan of their jewelry (see also last summer's list of favorite frivolities, including the most gorgeous earrings and necklace by the brand) I completely ignored perfume for about an hour and tried on this and that on my neck and ears before settling for the most gorgeous fairytale necklace. Pictured above right, it is a gold chain with a freshwater pearl strand, colorful enamel charms (flower, heart and four-leaf clover) and a bird’s nest covered with freshwater pearls containing a light blue enamel envelope. The words “Chance” and “Bonheur” (Luck & Happiness) are on either side of the nest. I don’t think a single piece of jewelry has made me happier. Well, in the last year at least. Having paid a hefty amount for the necklace I felt completely entitled to utter a cluster of words I’d never thought I’d get the chance to while at the register: “I would also like samples of all your scents please”. There, now I can try them all in peace, without contemplating which deserves allocating skin-space to. A review of all the musks is forthcoming – but let me give you a teaser and say, all but one are dirty!

The next boutique was rather out of the way in the 6th arrondissement. I am talking about Aépure, possibly one of the best fragrant destinations in Paris if niche is what you’re after. Aépure specializes in niche products both in body care and fragrance, the latter being of course of primary interest to me. The boutique features a lot of exclusives, such as Viloresi and Profumum and a handful of small lines I’d never heard of before. The main reason I went there was to get the chance to sniff the whole Parfumerie Générale line at once, something I don’t get the chance to do here in the Netherlands, since most of the places that carry the brand only stock a fraction. Even more distressingly, even the ones that do carry the brand are starting to discontinue it. I do not quite understand this – is it a marketing problem? It is a huge shame that a line of such quality that offers such unique products would be removed from the selection so soon after it was introduced. I do not only admire but also feel quite attached to this line, so I hope things are not as bleak as they seem. For now, it seems that soon there will no longer be a PG stockist here in the Netherlands. I loved with Felanilla, but once again, this is not really a vanilla scent. Felanilla is a combination of balsamic notes over soft woods caressed by a bready accord and orris butter. It is beautiful but not as beautiful as the older Iris Taizo which is the only iris scent that can still take me by surprise. The two are by no stretch of the imagination the same scent, nor does Felanilla feel derivative, but somehow, for some reason, it does seem slightly superfluous. I could not shake this strange feeling when comparing both of them side by side and so I scratched another one of the ‘vanillas’ I wanted to explore while in Paris from my ever-dwindling list.

I turned my attention to the Lost’March line. Being a huge fan of milky scents, I homed in straight for Laan-Ael, a scent famous for being uber-milky. I think Tom said it all when he described this scent as milk-and-froot loops as this is a most accurate description! Laan-Ael smells of milk, green sweet-and-sour apples and cereals and is simply delightful. I would have bought it on the spot had I not already bought Matin Calin, and after spraying it on my skin I realized I had unknowingly made the right choice where a milk scent is concerned: Matin Calin lasts far, far longer. Still, despite not being willing to spend my own money on this, I have to say I’d be delighted were I to receive it as a gift. For lovers of milky scents, this one’s a winner. I was not impressed with the rest of the line’s offerings (at least on paper) and the only other I allocated skin-space to was Aod. Disturbingly aquatic, this actually moved me to try it on skin due to the way its sea-spray overtones where gorgeously infused with an addictive musk. Unfortunately the beautiful musky scent lasts about 15 minutes and then you are left suffering the generic aquatic accord we’ve all come to loathe. I left Aépure empty-handed for one simple reason: I do want to buy another Parfumerie Générale scent, but the only way to get access to the line’s private collection and experimental scents is to purchase from their own online store. So unfortunately, despite wanting to support this new, sophisticated and modern fragrance boutique I preferred to spend the sum online, in order to get a personal password for the private range. Just something you would also probably want to keep in mind when purchasing PG.

After a short break for nourishment at Brasserie Lipp on Boulevard Saint-Germain, we decided to walk all the way down rue de Grenelle which would conveniently take us from Patricia de Nicolai to Maître Parfumeur et Gantier and all the way down to rue Cler and finally to the hotel. A long walk, but oh so worth it! At Patricia de Nicolai I was greeted by Rebecca, one of the most wonderful and knowledgeable sales associates. I went to the shop to buy a bottle of the beautiful Vie de Chateau which Ines, one of the regulars here at Fragrance Bouquet had graciously introduced me to a few months back. After paying I had one of the most pleasurable conversations with Rebecca, which proved not only knowledgeable but also passionate and delightful. I spoke to her of my vanilla quest and she proffered Vanille-Tonka. Upon smelling it, I just had to exclaim: “Mmmm, it’s beautiful, but I smell more Opoponax than vanilla! In fact this reminds me very much of Shalimar!” She looked at me with obvious surprise and asked me if I am working with perfume, at which point I explained that I write this blog. Rebecca herself expressed immense enthusiasm for the online perfume community and professed her love for niche perfumers and how much she had enjoyed meeting Andy Tauer. She went on to tell me that my nose was very accurate and that Vanille-Tonka was indeed more opoponax than vanilla and that they affectionately called it ‘their little Shalimar’ in the Nicolai house. We engaged into a long conversation about the wondrous Nicolai fragrances (and I have to say that Parfums Nicolai couldn’t have asked for a better ambassador than Rebecca who passionately loves the line) and slowly the conversation turned to the sad state perfumery has found itself with all the IFRA regulations. I can give you two little scoops here today: One is that if you love Odalisque you had better stock up on it NOW. We often speak of the old, fabulous chypres, but we tend to forget the great modern ones. Odalisque is just that: one of the great modern chypres which is currently under threat. Get it now because it is very highly likely that it will change very soon due to the regulations on oakmoss. I am wearing it today and it is quite simply, a masterpiece. I will stress this once more: time is more likely than not running out for this beauty. Get it now, or risk mourning its loss later... The other piece of insider bad news I have to deliver is that rumor has it that vanillin is next on IFRA’s chopping block. On which I simply have no comment. I am in shock and I struggle to imagine what perfumery will be like without it. I hope with all my heart it doesn’t come to that. It is simply too atrocious to contemplate.

After exiting PDN, I found myself going up and down the street, looking in vain for Maître Parfumeur et Gantier. I vividly remembered the MPG boutique being right next to the PDN from my previous visit and I simply couldn’t understand why I had trouble finding it. My eyes finally settled on what they’d been missing: the MPG boutique had closed down. The once lively, well-lit space was now dark and deserted. A sign on the door directed customers to their other boutique on rue des Capucines. Unfortunately, when we visited the other boutique on rue de Capucines on our last day, we found it deserted and closed down as well. We realized then that the new boutique on rue de Richelieu behind the Palais Royal gardens - the one that we had passed on our first day - was the only MPG boutique in Paris now. Unfortunately, by the time we came to that realization, it was too late to pay a visit, the shops were closing. I have to wonder now, what is happening to this beautiful brand? Why are all their boutiques closing down? At least the fact that they have opened a new one is heartening, but I can’t shake the feeling things aren’t going too well…

Exhausted we continued down rue de Grenelle, making our way to the hotel, but there was one more surprise waiting for us. Right across Barbara Bui on rue des Saints-Pères, we stumbled upon the perfume boutique of a brand I’d never even heard of before: MEMO. We walked in, forgetting the tiredness of the day due to the obvious excitement of a brand new discovery. MEMO is the brainchild of Clara Molloy a publicist whose many travels inspired the personal fragrances and ambience scents of the line, actualized by nose Aliénor Massenet. I have not yet had much experience with the personal fragrances (all of which are on my desk awaiting full review) but I was mightily impressed by the ambience scents! Kinky Kyoto combines the fresh green scent of bamboo with the warm scent of incense, Lost in Mykonos (the one closest to my heart and the one I simply can’t get enough of) combines the anis-heavy scent of Ouzo with spearmint to re-create my most delightful memories of a Greek patio decorated large pots filled with bushy, fragrant spearmint and glasses of ouzo on ice while everyone is happily talking and enjoying the lovely breeze of the evening (aaaaaaaaaaah, SOON) while St. Moritz Fizz fills the air with simply one of the most fabulous smoky scents I’ve ever smelled! It combines the dark scent of burning wood with accents of fresh fir and incense. I look forward to testing the personal scents on skin and reviewing them here soon, but so far, I am really, really impressed by the candles and room sprays.

The next two days in Paris were spent sightseeing, laughing with my boyfriend and enjoying the good food and the hospitality of the people, who once again broke down all known stereotypes and treated us with smiles, warmth and immeasurable friendliness and politeness. I couldn't have had a better time, in fact, despite having just come back from London, in my head I am still in Paris. Paris, je reviens!

Images: Senteurs de Fee shop front, new Guerlain boutique at the Marais, my Nereides necklace, Aepure, the very poignant “Slave Market” by Jean-Leon Gerome, Lost in Mykonos candle via MEMO's website.

Wednesday, May 6, 2009

Flora by Gucci : Perfume Review

There’s some incongruence here, something I cannot quite wrap my head around: Frida Gianini, Gucci’s absolutely brilliant creative director, has been diving into the archives of the prestigious house and has revived Flora for this season, an iconic print originally exclusively designed for a scarf for Princess Grace of Monaco. The Flora pattern has been revived for S-S ’09 and now once again graces accessories and ready-to-wear luxurious garments. The pattern itself and its honored, royalty-tinged past served as inspiration for the newest Gucci fragrance, Flora. At the same time however, the house has made it no secret that Flora (the fragrance) is very much intended for a younger demographic, that is, a customer younger than the one who would go for Gucci by Gucci (which is excellent, by the way), the only other fragrance that has so far been released during the tenure of Gianini as creative director.

…Really?

I mean, does that younger demographic actually know who Princess Grace was? Why go into all the trouble of connecting the perfume to the beautiful, graceful and utterly elegant Grace Kelly if you are going to try to market it to a group that likely can’t even evoke an image of the woman without resorting to Google first? Because at least here in Northern Europe Gucci by Gucci (a musky composition very much in the spirit of Narcisso Rodriguez for Her) is extremely popular with women in their 20’s. How much younger can you go?

Moving on to the fragrance itself however, I have to say that I was pleasantly surprised by Flora. Having been introduced to it through magazines like Vogue and Elle where I originally learned about the intention to appeal to a younger crowd, I was actually expecting a vacuous fruity-floral like so many others (yes, go ahead and blame the various ad copies for conditioning me to associate the word young with boring when it comes to perfume). In reality, Flora surprised me by actually being a light, subtle, sophisticated floral with fruity top-notes.

The opening is my least favorite part of Flora: a mixture that is at once refreshing and musty/dusty with an undertone of a particular type of funk that shall remain unnamed, the most salient notes are yuzu citrus and pink pepper. Then… SURPRISE! Fifteen minutes later Flora transforms to something I am very intimately acquainted with: the twin of Laura by Laura Biagiotti, a fragrance I wore to death as a teenager. It unashamedly comes complete even with the slight aquatic feel of Laura, which March of the Perfume Posse also noted. Amusingly, even the image I chose to accompany my review of Laura actually fits the modern Flora commercial to a T (See image to the right and click to view the video below).



Although I describe them as twins (I am wearing the two as I write this and they are indeed extremely close) there are differences: Yes, both of these abstract florals are feminine, romantic and elegant. However Flora is not only missing a certain edge Laura has that sets it apart, it also misses the particular, extraordinarily addictive musk Laura makes such excellent use of. Importantly, lasting power is also lacking: while Laura keeps evolving, remaining strong and powerful, Flora quietly falls apart after a while, leaving but a transparent film on the skin. Both are good feminine scents, but if you want the real deal, stick with Laura.

Image of girl with dress made of flowers http://harbingergallery.net

Wednesday, March 18, 2009

Harem by LR : Perfume Review

It feels a bit like skating on thin ice, choosing this perfume for review: in some ways it can be seen as a (*gasp*!) dupe, it is neither mainstream nor niche, it has limited distribution and it is offered by a brand most people likely have never heard of. I’ve never been one to conform however, and I truly love this perfume, so here we go!

LR is a direct marketing company – meaning you cannot buy their products from brick-and-mortar stores but only from registered LR “consultants” (the LR equivalent I guess of the better known Avon Lady) as well as the internet as of late. The company started up in 1885 in Germany, but quickly started expanding all over the world. Currently their products are available in 30 countries world-wide, including Australia, New Zealand and The Philippines. I first discovered their perfumes at a beautician’s office, where a black box of samples was displayed. Naturally, if a little sheepishly, I started opening each tiny phial for a quick sniff and even though I was doing so rather hurriedly (I felt rather guilty going through them without supervision, but was completely unable to resist the siren-call of unknown perfume) I still managed to register that within the sea of ho-hum, so-so and downright-awful scents, there had been a little gem, completely different than the rest. I was soon ushered in for my appointment and promptly forgot all about the little gem and its uglier siblings. But it does seem like some things are meant to be. More than a year later, I smelled a fantastically erotic, patchouli laden perfume on my best friend, after she returned from a trip to England. When I asked her for more details begging her to get me a bottle next time she went to London, she told me that it was given to her by a friend and that the friend had gotten it from a direct seller. Even worse, the friend had not bought it in England, but in Cyprus. And then one of those strange things happened: the puzzle pieces came together out of nowhere, and quite unexpectedly the penny dropped. Bizarrely, my mind made the connection with extreme certainty and no proof whatsoever: What I was smelling on my friend was the very same little gem I’d found at the beautician’s office… My beautician must have been an LR consultant. Even more surprisingly perhaps, I was right. On a bright Saturday morning this past Christmas I bought a bottle and since then, I’ve managed to drench half of its contents. Quite a feat, considering how many bottles of perfume I own.

The little gem is called Harem and it is a copycat, clone, wannabe, dupe or whatever you wanna call it of the ever influential, already widely-copied Angel. Yes, yes, I can’t believe I fell for that either. But I did. Hard. Released in 1994, two years after Angel had turned all the tables, dethroned all the perfume beauty queens of old and secured its success on the market, Harem snaked itself into the newly-opened niche and has faithfully remained a best-seller for the company that cleverly capitalized on the Mugler money-train. Not sufficiently different from the original monster to be accredited the same respect as a unique scent (see for example Lolita Lempicka), Harem still deserves attention. Why? Because it is Angel for the ones who cannot wear Angel itself! If you like/admire Angel in theory, but can’t wear it due to its obnoxious, in-your-face character, you’re going to love this. If you wish you could wear Angel, but get a splitting headache from it, you’re going to love this. If you find yourself distracted by the always attention seeking Angel every time you wear it and need something that is just that little bit quieter, kinder to your psyche, you will be able to wear this. If you are looking for something that is just as erotic but rather less vulgar, this is it. (As a side note, I used to loathe Angel, but I actually love it ever since I’ve had my little patchouli revelation moment. Still, I do prefer Harem.)

Harem opens with juicy, sweet mandarin orange notes tampered with the bitterness of bergamot and will continue to hover above the border separating decadent sweetness and adult bitterness for most of its development. Its bittersweet character is incredibly seducing, bringing to mind all manner of delights meant to be enjoyed by adults, rather than children: pure bitter chocolate, amaretto liqueur, bittersweet almond paste and marzipan… In fact it is not hard at all to conjure these images, since they all manifest as aspects of the perfume itself as it evolves. The juiciness of the sweet citrus fruit runs dry as the top notes fly off, and we are left with the sparkling oils of the rind, smothered in bitter pure chocolate and its toothsome milk counterpart, wickedly flavored with caramel accents. The patchouli, already present and prevalent from the very moment Harem is applied, becomes absolutely central in the heart notes and is incredibly gifted to boot: never dirty, never mildew-y, never earthy, this is a gorgeous rendition of the note. The best way to describe Harem’s patchouli would be to liken it to a sensual embrace, so round, sweet and warm it is. Yes, it is still as loud as its roots predispose it to be, but somehow it holds back, as though having perfectly learned the game of first grabbing one’s attention and then playfully falling quiet until the victim is reeled in closer. Wonderfully, the scent becomes ever nuttier as time goes by: specifically its already sensual combination of flagrant eroticism and gourmand comfort is underscored by the many faces of almond that start caressing the skin. Bittersweet almond essence, raw almond, soft almond paste and a few sinful drops of amaretto all combine with the extravagance of vanilla-patchouli and chocolate, making the skin positively edible. Here and there, I get wafts of cherry as well, the perfect complement to the creamy, nutty almond. Hours later, Harem becomes magnificently powdery, a beautiful angel-dust whisper on the skin. In fact, the powdery drydown is so gorgeous, I wish it was a scent of its own just so I could enjoy it at will.
Despite its low price-point (23 euro for the EdP), Harem most definitely does not smell cheap. Too, I have to add that despite my own extensive comparison of it to Angel, I should not omit the ways it is different: Harem is all about the gourmand patchouli as is Angel, but its patchouli is far less aggressive and far more round and smooth. Another major plus point, is that it has a far more perceptible development, with clear stages that keep the interest alive. Lastly, even though the two fragrances run parallel at first, from the point the almond blend makes its appearance Harem begins to diverge and differentiate itself. The greatest difference is of course the beautiful powdery drydown, a direct consequence of which is that spraying on the clothes will lead to a much more subtle fragrance (instead of a hostile takeover) when the garments are returned to the closet.

Harem can be bought online from the LR webshop or directly from LR Consultants in your area (you can request for a representative close to you by visiting your country’s page from the official website, provided of course that LR is doing business where you live…)



UPDATE:

:::IMPORTANT NOTICE:::

LR, the company that makes Harem has changed this perfume beyond recognition. Please do not rush to order it based on this review which was written about the original version of this once beautiful perfume. You can find out more about this by clicking here.



Images: Harem ad and bottle, www.lrworld.com/, gold panning, www.whoisdimak.com, diamond in kimberlite, www.scienceclarified.com and dew on clover, titled “diamond in the rough”, flickr by diongillard

Wednesday, November 26, 2008

Inner Grace by Philosophy : Perfume Review

Philosophy, Christina Carlino’s retail range of cosmetics has managed to become successful in the cut-throat, oversaturated world of cosmetics, in part due to its appeal as a brand that does not impress the same -often unhealthy- expectations many other brands do on women. With simple, yet clever packaging that never fails to bring to mind associations with purity and simplicity, and short yet meaningful quotes printed on each and every bottle, jar and box that remind us of the power of hope, belief, perseverance and everything that’s good about life in general before every use, Philosophy has been embraced by countless women the world over, sometimes just because merely looking at these little messages brings a smile on their face.

Along with cosmetics, Philosophy also has a range of fragrances. It is hard to rate Philosophy fragrances, because they seem to belong to this genre of personal scents that are almost non-scents, if that makes any sense. Their most defining attribute would probably be inoffensive, with clean and simple following close behind. Yes, this type of fragrances are indeed very much in fashion nowadays, owing their popularity in part to the overly sanitized approach to everything our western culture has embraced. However one may feel about this, there is no denying their widespread appeal. Personally, I have to say that I do not begrudge their popularity. True, there are times I find myself wondering why a woman would actually wish to smell like a baby’s powdered bottom… However, I do see the utility and merit of many such clean, inoffensive fragrances. There is certainly a time and a place for everything, and there are indeed times when a subtle, understated, clean fragrance is called for (The gym, a visit to the doctor, or a job interview for example). Too, there are certain professions that specifically call for such fragrances. For perfume lovers, such a perfume is a much more preferable option than no perfume at all. And it is not just necessity that can make this type of scent popular among fragrance lovers. Yes, we love a complex development and fragrances that make a statement. However, most of us also have a number of comfort scents that we keep returning to in those times when we don’t need too much distraction. Scents that are not asking too much of our attention, scents that feel like a warm cuddle, scents that just feel good and simple and pleasant. I don’t like all of Philosophy’s fragrances, but they are all indeed such uncomplicated scents: A linear development that will not tax a tired mind further, a sense of comfort that will feel like an embrace and a clean, understated aroma that will feel more like your own personal scent or that of soap than an actual perfume.

Inner Grace is probably my favorite of Philosophy’s scents, because unlike the rest of the brand’s fragrances, this one actually feels rather sexy. It is basically a musk fragrance, and as such it feels very warm and personal. Specifically, Inner Grace showcases the marvelous, sexy beauty of Egyptian Musk, one of my absolutely favorite smells. Lovers of Narcisso Rodriguez for Her and Sarah Jessica Parker’s Lovely are sure to love this one as well, since all three make Egyptian Musk the main focus of the fragrance. Unlike Narcisso Rodriguez for Her or Lovely however, Inner Grace sanitizes the musky scent somewhat, presenting it as far less animalic. This is not necessarily a good thing for me, because I do love my musks to be as animalic as possible; However what is very attractive about this particular rendition of Egyptian Musk, is that it feels absolutely personal, as if it is exuding from your own skin. Compared to Lovely, which I cannot really wear because it feels rather chemical to my nose and always ends up bothering me throughout the day, Inner Grace feels natural and soft. Inner Grace compliments the scent of Egyptian Musk with fresh, sappy greens and hints of resinous amber, adding both fresh and warm elements to the comforting appeal of its heart of musk. The end result is sexy, personal and quite addictive, perfuming the skin with a scent that has definite nuzzle potential. Yum.

Images: www.philosophy.com and Flickr, originally uploaded by Steve Jurvetson

Friday, October 17, 2008

A Taste of Heaven by Kilian : Perfume Review

Do you remember Hotwheels, the little toy cars with the thermochromic paint that would instantly change color when bathed in cold or hot water? Not the most poetic of comparisons I admit, but A Taste of Heaven really is like a Hotwheel: It changes in such a fast-paced, and more importantly, fascinating manner, the mind races bewildered, trying to catch up in wonderment.

It all starts out with such a huge blast of lavender, it seems not only unthinkable but also impossible that this predominant note can be escaped. A bracing, light citrus freshness accompanies the herbaceous scent at first, and there are also hints of dewy yet deep greenery. Blink and there’s a change: the lavender note seems to get ever more animated and lively. The relaxing, well-rounded, aromatic scent of Lavender Barreme blends beautifully with the strong, camphorous notes of Lavandin Abrialis, creating an almost dizzying display of the humble looking flower in the mind’s eye. In terms of smell, this lavender is so extreme it can only be described as operatic. I don’t generally like my lavender served straight up, so I only truly start loving A Taste of Heaven when finally it turns from bracing and aromatic to smooth and sweetly vanillic. For a while the scent appears to be comforting and almost gourmand, edible in nature. Then the unbelievable happens: the fragrance undergoes a change so extreme, I can only describe it as awesome in the original sense of the word. It becomes warmer and warmer and the olfactory sensation it produces is so surprisingly effusive, it almost feels as if one is witnessing a chemical reaction taking place on the skin. It seems like all this heat, all this wonderful warmth comes out of nowhere, a sinister smile full of sexual innuendos suddenly coming to knock you off your feet. Because yes, this is not the comforting warmth of a hearth, but the heat of sexual energy unhinged. Sexy, animalic, barbaric and ravaging, the heat is almost volcanic. As you might remember the first time I experienced this scent I was in public... My first reaction to the change was a simple “It’s getting warmer now”, quickly followed by “Oh my God” and then I was finally left speechless and blushing. Having jolted us to attention with this explosive, shocking, ultra-sensual stage, A Taste of Heaven calms down again and slowly eases itself into its final, comfortable incarnation, which will last for hours (and into the next day if applied in the evening). All its animalic elements now come down from a boil to a simmer and can be appreciated individually. The slightly vanillic lavender is musky and warm, there are hints of tender, subtle leather, the patchouli is soft and dry as powder and the utterly beautiful, erotic ambergris note ties it all together... The whole in this case too tends to be more than the sum of its parts: the end result smells incredibly human and warm, like the scent of your own skin, sensual and very, very personal. To clarify this, I will give an example: I have tested this with a number of friends during the drydown stage, and most of them struggle to separate the smell of the perfume from the smell of my own skin when they do not have previous experiences with A Taste of Heaven. It feels like the borders between the skin’s own scent and the scent of the fragrance are blurred, hazy. However, once they have experienced the fragrance on their own skin from start to finish, they can always clearly detect it thereafter. It will come as no surprise thus, when I say that the drydown of A Taste of Heaven is very similar to the drydown of Miller Harris’ L’air de Rien, which has also been extensively compared with the scent and familiarity of the human skin.

Monday, October 6, 2008

She Wood by Dsquared2 : Perfume Review

Last week I reviewed Dsquared2’s first scented offering, the masculine He Wood in quite glowing terms. Being a fan of the design duo, I wish I could be as positive about their second, newest fragrance She Wood – this time a feminine scent – but quite honestly I can’t. Especially true at the time of its European launch, back in 2007, He Wood was a quite unique entrance. Quite the opposite holds for She Wood, which seems uninspired and derivative, albeit truth be told, nowhere near offensive.

The bottle seems to be a dumbed down version of the masculine flacon, which I happen to love, once again a perfect square, but this time only utilizing wood on the top part instead of having it luxuriously encasing the tactile material. For She Wood the choice has been for a piece of North American walnut, which sits rather smug (and decidedly brown) on top of the pink juice, not really adding anything to the design, but actually making it look cheaper. I would have really preferred the old design, and most definitely a softer shade of wood as well – perhaps a bleached wood dyed soft grey? No matter, what’s the use of crying over the bottle if the juice inside is hardly worth speaking of? As with the masculine version, the top, middle and base notes are conceptualized as different accords, this time as Light, Sap and Wood respectively. The opening is punchy and energizing, utilizing a rather pretty bitter neroli note, but quite unfortunately not allowing it to reach its full, rather sensuous potential due to the distracting dry zesty notes that keep dancing around it. As the top notes fade, the fragrance becomes all the more compellingly familiar, creating this unsettling sense of déjà vu. It finally hit me today as I was testing this again, and a side by side comparison confirmed my suspicions: She Wood smells like a more intense version of Feerie, minus the dark berries, which as you might remember smells quite a bit like Love in Black (No wonder I am bored). Looking at the official notes, this comes as no surprise after all. They all have similar notes, but most importantly they are all heavy on violet and cedar. She Wood is not as dusty, even though it is still an intensely dry fragrance and it is far greener than the other two. Still even though it is more tenacious and intense, it somehow manages to feel both thinner and cheaper. The woody, musky drydown is insipid and far less smoky than its sisters and makes use of a quite prominent and slightly metallic vetiver note. The middle stage of the development is probably the most interesting with its smooth violet notes, but everything seems to slowly fall apart after that, as if the perfumer lost interest halfway. Not interesting enough to be declared awful, She Wood won’t send me to the sink for a scrub-off. However tolerable though, it can hardly be called a great scent either. It hangs somewhere in the middle: Inoffensive and indifferently likeable is more like it.

Images: http://sito.dsquared2.com

Wednesday, September 24, 2008

Feerie by Van Cleef & Arpels : Perfume Review

Feerie (pronounced “FAYrie” and meaning Fairy in Flemish as well as Fairyhood in French) is Van Cleef & Arpels’ newest fragrance. The flacon’s marvelous design echoes the theme of their Midsummer Night’s Dream jewelry collection, which even though too archetypically girly for my tastes, is so breathtakingly beautiful it makes your heart break a little just looking at it. Now, even though I am not a girly jewelry type of girl, anything whimsical, fanciful, capricious and extraordinary in the perfume bottle department catches my eye and attracts me in the same manner a magpie is attracted to anything that glimmers. When I saw pictures of this bottle I couldn’t help but feel compelled to buy it. Surely this looks like something that one just has to own? If this isn’t a perfume bottle meant to sit on a dresser, then what is? Well, call me finicky, but unfortunately the bottle doesn’t quite live up to expectations ‘in the flesh’. Don’t get me wrong; it is beautiful, just not as stunning as the pictures originally led me to think. Whatever could be my problem with it, you ask? I am afraid it is the faceted blue glass part of the flacon that I find disappointing. In the pictures it appears to be delicate enough to allow light to permeate through, allowing one to gaze upon the perfume within as though it were a starlit blue lagoon over which Titania, Queen of Fairies was ever present. In reality, it is a thick, hefty, almost opaque and rather dull-colored blue hand grenade that does nothing to excite the imagination. And if I’m allowed to complain just a little bit more, I’ll just have to say that I really wanted Van Cleef & Arpels to pull a Lolita Lempicka on us and let us spray through the fairy, instead of making her just a cap. Well all right. It’s still rather pretty, I guess.

I am just as surprised at rather liking the juice within as I am at not falling in love with the bottle. The opening is briefly gentle and light – a tiny bit of buttery iris, a smidgen of green freshness and slightly sugary violet leaves. After the subtle, pretty intro, the intensity suddenly picks up: the aroma of dark cassis berres, appropriately and quite realistically sweet and sour fills the air. At first their edible aroma is briefly touched by sparkling citrus fruit, subsequently is it rounded beautifully with a certain nutty flavor and when that too (all too soon!) disappears the fragrance settles into its longest stage: berries strewn over dusty yet effusive rose. At once sweet and dry, this interplay should normally hold my interest, but unfortunately I find the intense rose scent very, very disagreeable and I cannot detect the promised jasmine at all. A great disappointment, since I found the first ten minutes of Feerie’s development extremely promising. The drydown is simple, gently floral in an abstract way, greenish and quite delicate, with hints of musk. For my tastes it lacks warmth and depth and I have to say that this is the most generic and insipid stage of a quite well done perfume, which is a shame. All in all I found the top and middle of the development quite interesting; they resemble, as Abigail astutely pointed out Creed’s Love in Black “minus the edginess”.


Images: Folie des Pres Fairy Clip, Envole Bracelet, Feerie bottle and Feerie Timepiece images, all www.vancleef-arpels.com