Showing posts with label Thessaloniki. Show all posts
Showing posts with label Thessaloniki. Show all posts

Wednesday, January 28, 2009

Blue Agava & Cacao by Jo Malone : Perfume Review

The Jo Malone boutique in Thessaloniki adorns Tsimiski street like a brilliant diamond would the ring finger. It might be the parallel to Tsimiski, Mitropoleos street that has become the hub of the most luxurious shops in the city, but Jo Malone has probably made the better choice by placing the boutique in one of the busiest junctions of the shopping center. Exuding undeniable luxury with its chic signature black and cream colors (possibly the chicest color combination known to mankind), gleaming yet warm lights, marble surfaces and wooden floors, the flagship store impresses its Western European élan effortlessly upon passers-by and lends an upscale note to its surroundings. The staff is professional and warm, as helpful, charming and as knowledgeable as any perfumista would desire, and most importantly, as I am pleased to report, never pushy. I can’t resist mentioning that my favorite sales associate working there also happens to be a perfume collector and lover herself, and is an absolute pleasure to converse with. Her favorites in the Jo Malone line closely mirror my own, with Pomegranate Noir coming first and Wild Fig & Cassis (most excellent in soap!) coming in as a close second. There is however, one we disagree on, and that happens to be their best-seller: Blue Agava & Cacao.

I am not used to liking the same of anything as everybody else but it really came as no surprise when upon paying for the Blue Agava & Cacao at the register I got to hear that it is the scent everyone –men and women alike in fact- goes wild about. What’s not to like? Blue Agava & Cacao is as cuddly and comforting as a soft fleece throw under which to snuggle on the couch with a good book and chocolates in the middle of winter. (In fact I could just stop here, and it would be a perfect review, but let’s go on nevertheless.) I wouldn’t have expected intense citrus notes would suit a spicy gourmand so well, but the opening proves me wrong: An incredible hit of salty lime, vaguely reminiscent of the complete tequila works and a shot of bitter orange and grapefruit invigorate the senses and grab the interest. The scent so far is very natural as well as bright, like a ray of sunshine. The lime scent is dispelled within a minute, giving way to a gorgeous, smooth and sweet cardamom with a beautiful, transparent undercurrent of spiced grapefruit. Even though it slowly becomes progressively fainter with time, cardamom lovers should definitely check this one out, since the beautiful spice is a dominant (almost till the end), as well as very well rendered note in this scent. For a while the scent assumes a completely gourmand identity, smelling very much like good quality white chocolate, until suddenly it blooms, flowering in the most attractive manner. I won’t pretend I know what the flower of the agave smells like, but I do get lilies, rose geranium and (officially unlisted but oh-so definitely there) frankincense. This is definitely a deep, sensual symphony that can come across as overwhelming when simply read about, but I will ease your fears by saying that the sweetness is cut and tempered by a dry, peppery note which puts everything into proportion. Further down the line, the much awaited cacao finally makes its appearance and proves to be worth the wait: bittersweet and playful, deep and yummy it makes the skin nuzzle-worthy and addictive. The blend is perfect (yes, really!) with no notes jumping out jarringly screaming for attention. The vanilla used here is absolutely smooth, deep and erotic (and once again very natural smelling) and together with warm musk, complements the cacao to perfection. I only get traces of vetiver and cinnamon in the background; they do not really enter the game as major players, but definitely complete the picture, if this makes sense. The overall impression as I have already mentioned above, is one of luxurious comfort and innocent sensuality; the comfort of soft, good quality fleece, combined with the luxury of cashmere and velvet. Edible yet never overwhelming, this scent is at once soft and noticeable, with a medium projection that invites others to come ever closer to the addictive epicenter. A definite winter scent, if not a winter must for gourmand/oriental lovers.

The Jo Malone line has not been very warmly received by the perfume community, oftentimes receiving flack for its “simplicity”. While I myself am not enamored with the whole line (I actively dislike almost all of the white florals in the line, for example), I do think that this reputation is undeserved to a point and suspect a great deal of the negativity stems not from the quality of the perfumes but rather from the admittedly unimaginative/uninspiring names, which are rather reminiscent of Body Shop creations. It is however a shame to let a whole line pass you by just because the names are not as romantic or complex as we are used to. I have no problem putting my head on the line and say that despite what you might have heard or might be led to think due to the simplistic names, the fragrances themselves are not simplistic. Almost none of them are linear – in fact most of them have a gradual and very perceptible development. Just because something is called “Blue Agava & Cacao” does not mean it only features agave flower and cacao as notes! Furthermore, I sometimes fail to understand why other perfumes that could be blamed for exactly the same things are received with joy and exuberance, anticipation even. A good example would be the Marc Jacobs line of colognes, with names such as “Cucumber”, “Violet” and “Orange” which are, believe me, much more insipid and simplistic than anything ever turned out of the Jo Malone brand. It makes one think…

Images: www.jomalone.co.uk, painting of blue agave via www.roypurcellgalleries.com, agave and cactuses via http://planetapeninsula.org by photographer Miguel Angel

Thursday, September 13, 2007

By Woman by Dolce & Gabbana : Perfume Review

I wore By Woman religiously in 1998; I remember its strong scent permeating everything at the time: my hair, my clothes, the hallway I’d rush through to get to the door, habitually late for any appointment. It has this way of leaving an air of longing behind it, hanging like a little cloud, long after the wearer has disappeared. I didn’t notice when it got discontinued, somehow I took it for granted, like something that would always be there for me when I needed it. Years later, the olfactory memory haunted me, at times as strong as though my perfumed wrist was stuck under my nose. Other times it would become elusive; leaving behind just this tortured feeling, the nagging certainty that I’d lost one of the sexiest scents I’d ever come across. This summer, while visiting Thessaloniki, I was lucky enough to find it again. Tucked away in what is now known as the old French quarter, three of the city’s oldest perfume shops still exist. The oldest one, the one I was craving to photograph for Fragrance Bouquet was closed, but the one next door was thankfully open. The shop sold mostly essences imported from France, but there was also a section, a few shelves really, of discontinued perfumes. I didn’t even need to scan them: By Woman caught my eye immediately with its extravagant leopard print box. Still wrapped and sealed, protected from the sun in its shady spot, it was as well as mine. My excitement was obvious and the owner of the shop engaged me in a conversation about his own lost loves of perfumery, confessing that he keeps the remnants of several in a drawer, taking them out for a sniff-induced trip back in time every now and again. I paid and left with a spring in my step, not only because I had found one of my own lost loves again, but because I had the chance to speak to someone who is obviously passionate about perfume too.

By Woman requires patience: It is one of those perfumes you have to wait for until they bloom to perfection on the skin. The opening is fresh, very citrusy and slightly green. It has a rather masculine quality to it, in an expensive cologne sort of way. Fruity tangerine and bitter bergamot dance around something unidentifiable – something almost plastic, which is not altogether unpleasant, but is very misleading indeed. It gives away nothing of the true character of the fragrance, the feverish sensuality that is to inevitably follow. It still seems tame, while it is anything but. And so it begins, testing the patience of the wearer with its indifferent masculine freshness. Persistently sniffing the skin is of no use at the moment: like playing with a cat, looking at it straight in the eye will not bring it closer. Ignore it though, avert your eyes, and soon the silky fur will undoubtedly surprise you by creeping up against you, in the same manner that By will surprise the senses by suddenly wafting towards the nose in a completely different manifestation than the one detected close to the skin. This gentle, wafting cloud is a prelude of how the scent will evolve on the skin. Soon perhaps, but not yet. For now the heady, exotic smell of the Lilly is blooming, trying to outdo the pungent, ever so slightly soapy ginger. The inebriating scent of pittosporum, the gorgeous flowering shrub that drives humans and bees alike crazy come spring, is embracing both. It caresses the skin with its white, delicate fingers, bestowing upon it the promise of nectar, the same promise that makes swarms of bees gather to gorge on its flowers. Then suddenly, yes, realization finally dawns: By Woman fully arrives, strong and thirsty, like luscious, engorged lips seeking the gloss of water. It positively surrounds the body, like an inescapable, delirious presence. Lashings of bittersweet coffee-syrup are poured all over the delicate white flowers, infused with vanilla and musk. The result is sweet, but not overly so: just perfect. The coffee combines perfectly with the smooth creaminess of sandalwood and the cedar eagerly brings the wearer's own skin-scent to the fore, enhancing it, underscoring all of its seductive qualities.

Deconstructing By seems almost like a mistake to me – the notes by themselves do not reveal the full extent of the end result. By is more than the sum of its parts: the beautiful blend is mysterious – I feel unable to decode how something can have so much sensuality just by looking at the notes. By is voluptuous, a pair of breasts drawn by an artist crazy with desire. It is sexuality worn as a weapon, which is of course, now that I think of it, the quintessential D&G woman. I don’t understand why this is no longer in production when thinking how much it fits their collections. It is the most gorgeous creature, leaving men half-conscious at the wake of her curves as she passes by, flaunting her cat o’ nine tails. By is empowering, one of the most empowering fragrances I have ever worn in fact. It acts like a confidence booster, like only a killer pair of heels possibly could. (for completely inimitable effects, try both at the same time) There are more powerhouse fragrances that can make a woman feel as strong as fortress, as powerful as a canon. Paloma Picasso would be a good example. But whereas Paloma warns intruders by penalty of castration, By raises an eyebrow and grins, hinting that she might be penetrable after all.

I want to continue the little tradition I started when reviewing Miyako, so from now on whenever I am reviewing a hard-to-find fragrance I will also be offering a sample of it. Please comment if you would like to be entered in the drawing.

PS: I hope the last image can be taken with the humor with which it is intended. I probably should not worry, but finding out that it was banned in the UK made a couple of alarm bells ring in my head!

Images: Author’s Own, www.doyletics.com and www.worldopiniontest.com

Tuesday, August 21, 2007

Edwardian Bouquet by Floris : Perfume Review

I cannot resist spending a lot of time shopping when visiting Thessaloniki. Well alright, I'll admit, I cannot resist shopping - period, but the habit tends to become exacerbated while traveling. You see, much as I adore our beloved capital, Amsterdam, it can at times be characterized as fashion starved. Thessaloniki thus, can be awarded the distinction of being fashion forward, if only by comparison. (har-har...) No, truly, you’d feel the same way too, if you lived in a country where once you walked into one of the few places carrying designer goods you’d be lucky to find a Marc Jacobs shoe from a two-year-old collection. NOT on the sales rack mind, full price. That’s right, the trash on the sales rack is pure comedy gold. But still not as funny as the old stuff being passed off as new at full price in the rest of the shop. Aherm... As I was saying, Thessaloniki is a good place to shop, let’s leave it at that for now. While browsing a magazine on one of the first days of my vacation I happened upon pictures of a Julien Macdonald fashion show that took place in one of the city’s hotels recently. In one of them, Julien was smiling bright together with Anna Kapsali, the wonderfully eccentric, hat-addicted and very, very talented stylist who as it turns out, also owns Style Fax, a relatively new shop in town. Fast-forward to the next day and I am the proud owner of a whimsical new skirt, which Anna, with her sensual, raspy voice, is giving me tips on what to wear it with. But that’s not all. It was not just clothes, beautiful bags and strange hats that I found at Style Fax. A collection of Floris perfumes was on display in an alcove near the register. I requested a sample of the one that impressed me most and left with it along with my new skirt. I am now of course mentally kicking myself for not buying a full bottle, but I am already planning a weekend getaway sometime in October, so I’ll just have to look forward to it.

The sample was, of course, Edwardian Bouquet. Originally launched in 1901 and re-orchestrated in 1984, this is a creation by Floris, a house that boasts being the oldest family owned perfumer. Feeling slightly guilty and at the same time perturbed, for what I am about to utter is indeed truthful but at the same time misleading, I have to start by saying that this is something of a little treasure you’d expect to find in the back of your grandmother’s closet. It smells like the conceptualized version of a grandmother’s vintage perfume – no, make that the conceptualized version of countless grandmothers’ vintage perfumes. It is in essence what the collective belief of a group of people’s notion of an old fragrance would smell like, if said belief could be distilled over and over again into the perfect sample. Granted, this is not your average, garden-variety grandma. She is glamorous. She used to take her fur stole with a side order of tasteful costume jewelry. She wore gloves.

Being powdery is something that has come to be expected of perfumes characterized as vintage or old smelling. Edwardian Bouquet is NOT powdery though, just old fashioned. And even that doesn’t manage to stop a dab of it from being beguilingly sexy on the right bare shoulders... It certainly makes an impact. It is however, ever so slightly soapy, making me think of that old practice of hiding a good, expensive bar of soap in a chest of drawers in order to keep the linen smelling fresh. It is a bitter-floral bouquet; satisfying, elegant. The bergamot springs instant and immediate recognition, but I find my nose slightly more troubled when looking for the jasmine and hyacinth. They lack the transparency, the reality if you will, they would have in a modern melange. They are intense, but highly perfumey... Not plastic, believe me, that is not what I mean at all, but conceptualized in perfume language in a way that makes them quite far removed from their natural setting. As it settles and warms on the skin, some of its original bitterness is lost. The galbanum, moss and amber combination give it a seductive depth that begs the nose to be buried deeper into the skin so as it might better discover the slight nuances of the hidden layers. When all is said and done, I have to say that the best part for me is that behind the subtly floral yet strong bouquet, there is the undoubted marking of something not quite right... Something almost dirty, something almost unwashed. And yes, this is what draws me to it, perversely.

Images courtesy of: www.sftravel.com, www.amazon.com and www.vintagetextile.com