Showing posts with label Soft. Show all posts
Showing posts with label Soft. Show all posts

Wednesday, December 5, 2007

Dior Homme by Dior : Perfume Review

“Mmmmm, oooooooh, my!” ...is all I can think, again and again every time I smell Dior Homme. How can something be so beautiful? This perfume has cast a spell on me: I am ready to make the wildly unrealistic proclamation that this is the classiest male fragrance I have ever smelled, at the very least among the non-niche offerings. Several weekends in a row now, I’ve found myself in front of the admittedly limited (at least in comparison to the ones showcasing female fragrances) shelves of male fragrances at my local Douglas, testing male scents with my partner to find the perfect one for him. He is leaning towards Prada. As for me...there is no question: no matter how much I like what he is testing at the moment, the instant he puts Dior Homme on his skin I am ready to tell the world that I’ve found genius in a bottle. The rest simply seem to pale in comparison: once Dior Homme makes an appearance, the rest suddenly appear cheaper, lacking. It has one thing in such abundance, the rest seem to have none at all when put side by side. That thing, is class.

The iris starts out buttery, almost solid, I want to take it all in, devour it. I do not get tired of inhaling it, I do not find myself wanting to take a step back to enjoy the scent from a distance...No, I want to stay there, nose pressed against the skin, sniffing wildly like an animal, lest I miss a precious molecule that might fly off unnoticed. Re-reading this last sentence I realize these are words I’d usually reserve for something intensely musky, that never fails to awaken a primal sexual desire... But Dior Homme isn’t even remotely dirty, nor does it try to be suggestive. It smells brave and lonely, hardy and fragile at once, like the edge of winter. The iris soon goes from buttery to strangely metallic: the sound effect of a well-whetted blade being drawn, a blade so sharp it would push into flesh with an ease that would ensure the victim felt no pain until it was far too late. The choice of words is not casual: there is an element of danger in this otherwise calm, collected...perhaps even calculated scent. Something of a breath, a last warm sigh amidst the wintry chill. Then everything softens with a quite unexpected sweetness – a thawed heart that manages to beat again, slowly, like a clock that counts every precious moment. Smelling it on the skin of a loved one, I get the irrepressible urge to cuddle, feeling rather protective. Smelling it on my own skin, this sudden, almost illusory warmth, speaks of cable knit sweaters and sheepskin lined boots. Each time this gorgeous scent enters another stage, I can’t help but feel a pang of regret, which is soon replaced by gladness, for I do enjoy everything it has to offer. The drydown is not an exception... I can’t help but feel disappointed as the already quiet scent loses intensity, as though dispersed in the winds. Yet soon I settle in, once again interested, once again intrigued. Readily, I take in its powdery feel, dry and woody, like a scratched bourbon vanilla pod. The merest hint of leather keeps my senses entranced, dispelling any thoughts that a powdery finish might veer into the realm of the mundane. To me, this is a masterpiece.

Images: www.100aromatov.ru and www.imageafter.com

Wednesday, November 28, 2007

Heliotrope : Two Sides of the Same Coin

Opinions seem to be split down the middle when it comes to heliotrope. Some love it and seek its warm, comforting scent, while others hate it with a passion, reporting aversive reactions to it. Rarely are there any indifferent comments to be found when it comes to heliotrope scents. But that is a good thing, isn’t it? Something that sparks such intense emotions, whether these belong to one side of the continuum or the other, is surely worth a second glance!

Heliotrope, otherwise known as tournesol or turnsole, derives its name from its tendency to move with the sun. The many varieties of this plant are popular with gardeners for their heavenly scent. Blooms are most often white or lavender colored, and yes, there is a difference in scent: The purple colored shrubs emit a fragrance most often reminiscent of almondy vanilla or cherry pie, while the ones that bloom in white emit a fragrance which has been likened to baby powder.

My two favorite heliotrope perfumes are Etro’s Heliotrope and L.T. Piver’s Heliotrope Blanc. They are very different, yet both are charming and well made. Etro’s Heliotrope is as straightforwardly close to what people have learned to expect from heliotrope scents as can be. The opening is intensely almondy, instantly reminiscent to me of the bitter-almond essence my mother used to flavor the dough of the traditional baked goodies she used to make for Christmas. The very recognizable, Play-Doh quality that most haters of heliotrope scents despise soon follows, I’m afraid, but for those of us that love the smell this is a good stage, bringing back pleasant memories of innocent childhood play. And true, Play-Doh is not what you want to smell of when you are all dressed up for an evening out... But what about the times when you just want to de-stress at home, or one of these hectic mornings we are all bound to have from time to time? I’ll admit that this youthful reminder has helped me shut the world out a number of times while rushing to do the day’s shopping in the crowded city streets. The drydown is just as wonderfully comforting, or perhaps even more so, with gourmand, cookie-like notes of vanilla that feel warm and tender, enveloping the skin in baked goodness. The only drawback of this scent for me is that lasting power is not its strongest point.

L.T. Piver’s Heliotrope Blanc is definitely my favorite of the two, and I must say, the huge price difference makes this all the more pleasant! Heliotrope Blanc’s almond opening is much creamier than Etro’s, lacking the bitterness of the latter. It feels more natural too: instead of almond essence, I am left envisioning picking a yet unripe almond straight from the tree, still in its velvety green casing. There is a lively freshness to it and a nutty flavor Etro’s offering lacks. Once warmed by the skin the fragrance becomes sweeter and it is this sweetness that I find so attractive. Its character remains soft and gentle however: this is a semi-transparent, loving sweetness that wishes to caress. It never becomes cloying or heavy. Heliotrope Blanc is also gently floral, but while the official notes report jasmine and ylang ylang, I am completely unable to pick them out. These are both heady scents and Heliotrope Blanc is anything but. Instead, its tender floral undertones seem to me just an accent, like a distant memory whose meaning is forgotten, while the emotions related to it remain, making the heart beat a little faster each time a piece of the image’s puzzle floats into consciousness. The drydown combines a baby soft, faintly talcumed effect with a delicate balsamic feel, making it at once comforting and rather sensuous at the same time. I am reviewing the Eau de Cologne, I have to say, but the lasting power is excellent. This is a fragrance that wears close to the skin, but will linger and surround the body for hours.

As always when I review a hard to find fragrance, I offer a sample of Piver’s Heliotrope Blanc to one of the readers. Let me know in a comment if you would like to be entered in a drawing for this large 3ml spray sample.


Images: Photo & Artistic interpretation of Sunflower by Sakis Alexiou, Image of Kourabiedes (the baked sweets I was talking about) and macaroons from Flickr – originally uploaded by l&coolj, image of Heliotrope Blanc bottle from www.piver.com