Aurora by Roxana Villa : Perfume Review

Long-time Fragrance Bouquet readers already know my stance on the issue of natural perfumery since I have written about it in the past, but if there is still any doubt in your mind about whether a great natural perfume can ever stand next to a great synthetic one and survive the comparison, then I beg you to order a sample of Aurora right away.

What beautiful, twinkling magic has been weaved in this amazing, heart-moving fragrance? Because it is surely magic, or at the very least the magic of art and love, that make this fragrance evolve so stunningly on the skin, going through countless transformations that seduce the senses one after the other while its creator humbly proclaims it "simpler" than the creations that followed! Aurora was born as an experiment, an exploration in recreating the scent of carnations -and perhaps it is no wonder I love it so, carnation being the symbol of Fragrance Bouquet. Be that as it may, the improbable beauty of this scent lies in the dream sequence it slowly, artfully, reveals before it reaches its final, very much intended and happily successful destination.

The first bloom is a luxuriously waxy, lustrous, almost oily abstract floral that instantly reveals the richness of this bouquet. However rich, not once does it become decadently overwhelming: its grandeur can be compared to that of colored rays of light guiding one's way in the darkness, or gemstone sparkle against dark velvet. And as I write this, I suddenly realize that aurora (that is, the phenomenon) is indeed just that: rays of radiant light against the night sky. The realization leaves me slightly shaken, because I've been keeping notes on this perfume for about two weeks now and this is the first time I make the connection. Aptly named, then. It is in fact, this interplay of bright light -translated by my heart and soul instinctively as hope- and darkness, that is the most striking feature of Aurora, as well as its continuum, the glue that seamlessly binds it all together. I grin with the pleasure of one who knows that is being fooled, but enjoys it so, like a child watching a magician, when I start smelling erotic lilacs, an elusive note that cannot be captured as a natural. But it is there, an illusion recreated on the road to the field of carnations, as real as my memory of the thriving lilac bush that completely covered our fence when I was a child. And then Ylang Ylang, a soft sense of leather (myrrh?) and the bouquet becomes positively narcotic, seducing, magical. Suddenly, the incredible warmth of the rich floral notes is charged by a chilly breath and I find myself vividly experiencing the same sense of coolness found in an ever-shaded niche of a stone church. In the shaded, cool darkness tendrils of incense complete the picture. I want to stay there forever but soon the spice kicks in and I allow myself to be blissfully transported once again: sweet amber and rich spicy clove start weaving the picture of blood red carnations. This is the most meaningful, heartrending, stirring carnation I've ever loved, and believe me, I've searched far and wide.. From Caron, to Santa Maria Novella, to CdG, MpG and vintage Balenciaga, Roxana Villa's carnation is Fragrance Bouquet's favorite. I am thankful.

Images: The images included in this post are property of Roxana Villa.

Vespertina by Roxana Villa : Perfume Review and Thoughts on Modern Perfume Structure

Perfume lovers, critics and writers still talk about perfume pyramids, and perfume houses still release the official notes of their newly launched fragrances in terms of top, heart and base notes. But to what extend do these terms still apply in the world of modern perfumery? It is no longer a secret that most of what we smell in modern perfumes is purely synthetic, no matter how natural it might come across as. The small number of aromachemical companies from which noses procure the ingredients they employ to build their perfumes, strive not only for innovation, but also for stability and longevity. Scents traditionally used in perfumery as top notes due to their fleeting nature (e.g. citrus), have been reinvented by these companies, with molecules so large they have the ability to shape and even define the fragrance for far longer than they used to. And that is an understatement: nowadays you can have a grapefruit scent that lasts all day; a woody scent that is permeated by the fresh zing of lemon for hours on end. Nowadays, almost any of those notes that would fly off in the first five minutes before the curtain would rise to allow the beauty of the heart notes to shine through, can actually last till the drydown. Consequentially, official notes and pyramids are often a joke. While this does not affect reviews where the writer can actually describe the development as it unfolds, it does lend to confusion. The development, the way any given fragrance unfolds can be unpredictable, surprising. This, I believe is one of the most radical changes in the world of modern perfumery.

Now, as those of you who have been reading Fragrance Bouquet regularly know, I consider my love for fragrance all-encompassing. There is room for just about anything, whether purely synthetic (Why, hello NR!) or purely natural. So why all this talk about perfume construction? Because exploring Roxana Villa’s sampler packet was something of a revelation… The experience grounded me, reminded me all that is good and gorgeous and magnificent about a well constructed perfume that follows an absolutely traditional, classic development. Her fragrances are ever-changing, confirming the words of an industry professional in Paris who’d told me that the more natural a perfume, the more it changes throughout the day.

Two of the scents in the sampler pack have truly captivated me, Vespertina and Aurora. Today we take a look at Vespertina, while a review of Aurora is forthcoming. Meaning “Evening”, Vespertina is a glorious, floral scent with rich veins of spice. Its construction is absolutely marvelous, with top notes that you’ll want to chase after like fleeting dreams, floral heart notes so deep they make you feel like you can get lost in their nuances forever, and spicy, woody base notes that linger comfortingly on the skin until the skin’s own beauty shines through. Roxana describes this fragrance as “Orange woven with flowers, grounded by earth”.

The fleeting top notes are slightly bitter and medicinal, intensely herbal in character. They explode in a burst of black, roughly ground peppercorns and disappear like a dream through a botanical garden that’s slipping through the fingers upon waking up… The gorgeous spiciness of the black pepper remains however, easing us into the deep, dark, magical labyrinth of the floral heart notes. Through the persisting spicy blast, emerges a fabulous dirty, highly indolic orange blossom note, supported by narcotic ylang ylang and nightly jasmine. Far into the background, I smell hints of well aged, beautiful rose essence, highly romantic and moving. As time goes by, the bitter orange blossom note becomes creamier and creamier, shedding its indolic character and turning ever more sensitive and feminine. As an orange blossom scent, this one is very close in feel to Satellite’s playfully bitter 40º à l’Ombre (one of my favorite neroli/orange blossom scents out there), rather than to more traditional, sweet and heady orange blossom scents like Prada’s or L’Artisan’s Fleur d’Oranger. Vespertina is incredibly long lasting, and even though it starts as dark and mysterious, it soon transforms in aa summery, utterly romantic white floral scent will envelop the wearer for hours. When it does arrive, the drydown is myrrh-tinged sandalwood sweetness, peppered with spice.

Images: All images used in this post are property of Roxana Villa.