Showing posts with label rubber. Show all posts
Showing posts with label rubber. Show all posts

Monday, January 19, 2009

Black Cashmere by Donna Karan : Perfume Review

Black Cashmere originally made a very short appearance in Europe, coming and going like a rare black bird that somehow lost its way while migrating. I remember seeing it, all peculiarly shaped (at the time bottles that did not stand upright were even less common than they are now…) like a large shining pebble that was recovered from a volcanic lake. Standing alone on a pedestal, supported by a crafty little stand, it seemed like a modern objet d’art that persistently called my name. Fascinated both by its look and its sensuous name, I picked it up and sprayed some right on my wrist with the conviction I would undoubtedly fall in love. Mistake; Thick, woody sweetness and an overwhelming sense of drowning in sandalwood and spice sent me running to the nearest sink to wash it off, my urgency exacerbated by my stomach’s protests. I stayed away from it thereafter, like a child that’s learned to respect the sullen nature of nettle and briar. And then it was gone, to my disappointment. Why disappointment? Because not liking something is not quite the same as not respecting it. In my mind, Black Cashmere had been branded as rare and unique, a perception probably helped along to a certain extent by its relative exclusivity, but nevertheless not illusory in its entirety. Black Cashmere was unique – indeed, it smelled like very few other things did at the time.

Smelling the re-released version now, I have trouble deciding whether the fragrance has changed radically, or whether it is my tastes that have changed instead. For Black Cashmere no longer evokes the dramatic reaction it once did. Whatever the case might be, it is still unique and edgy. It still is a controversial scent that challenges the notion of what an attractive personal scent is. The opening creates an illusion of dark leather, lovingly presenting a dominant, delectable, saffron note. As the top notes lift, the body of the perfume is sketched with feather light strokes, like a phantom: cinnamic and camphorous, a combination that gives the scent a rather medicinal vibe. Through a quickly dissipating cloud of smoke, comes a heavy, burnt rubber accord (constructed primarily out of excellent quality cedar)– a central aspect of Black Cashmere’s heart. Although it can appear slightly jarring and overly strange at first, it quickly mellows and shifts into the background, acting like the canvas upon which the rest of the notes are painted. The barely-there scent of clove is enfolded in the softest cinnamon hug, providing a soft, cuddly, comforting element to the already warm composition. The lovely scent of creamy, sweet sandalwood wafts in and out, caressing the harsh edges of cedar and snaking around the waxy, resinous scent of wenge. The drydown is beautiful, a coming together of dry patchouli, cedar and sandalwood, with amplified sweetness and a lasting impression of pure, sweet beeswax. Really, really lovely.

Images: www.parfumdepub.net and www.imageafter.com

Friday, November 16, 2007

Smelly Facts: Odors & Perceived Attractiveness

Visual cues -such as symmetrical features- are of great importance when judging how attractive a face is. Sensory cues however (such as a person’s voice) also play a big role in whether a face will be perceived as attractive. (Demattè et al., 2007) Could the presence (or indeed absence) of certain smells affect the perceived attractiveness of a face as well? “Olfactory Cues Modulate Facial Attractiveness”, a recent article by Demattè, Österbauer and Spence explores this question with a most interesting experiment. In this experiment, the participants (all female) were asked to rate the attractiveness of different male faces presented on a computer monitor, while simultaneously being presented in each trial with either one of four different odorants, two of which were unpleasant and two of which pleasant (geranium or male perfume VS body odor and rubber) or a neutral odor (clean air). (For those of you wondering, the judgments on the perceived pleasantness or unpleasantness of these odors were derived by a pilot study) The results demonstrated (with statistical significance) that the participants judged the faces as being more attractive when they were paired with a pleasant or neutral odor (geranium, male fragrance or clean air) and less attractive when the faces were paired with the unpleasant odors (body odor, rubber). Since clean air and pleasant odors did not differ significantly between them in the effects they exerted on the participants’ judgments, the best interpretation of these results seems to be that only unpleasant odors seem to have a modulatory effect on perceived attractiveness. I would love to see more research on this subject, especially in regards to specific fragrances that people judge as generally pleasant or unpleasant. Yes, even though taste in perfume is subjective, I do believe that there are fragrances that are generally perceived as attractive or repulsive. Related to this last thought and for all of you (us!) Shalimar lovers out there, I include the following excerpt from the aforementioned, extremely interesting article by Demattè et al.:

“The only previous study that we are aware of in which the presence of an odor was shown to modulate people's ratings of the facial attractiveness of others was reported in a book chapter by Kirk-Smith and Booth (1990). The authors found that in the presence of a perfume (the brand Shalimar; once described by Paukner 1965 as being similar to an "ideal erogenous perfume"), both men and women rated half-torso clad photographs of men and women as being significantly sexier and softer as compared with a no-perfume condition.”

References: Demattè et al., 2007
Image: commons.wikimedia.org