Feerie (pronounced “FAYrie” and meaning Fairy in Flemish as well as Fairyhood in French) is Van Cleef & Arpels’ newest fragrance. The flacon’s marvelous design echoes the theme of their Midsummer Night’s Dream jewelry collection, which even though too archetypically girly for my tastes, is so breathtakingly beautiful it makes your heart break a little just looking at it. Now, even though I am not a girly jewelry type of girl, anything whimsical, fanciful, capricious and extraordinary in the perfume bottle department catches my eye and attracts me in the same manner a magpie is attracted to anything that glimmers. When I saw pictures of this bottle I couldn’t help but feel compelled to buy it. Surely this looks like something that one just has to own? If this isn’t a perfume bottle meant to sit on a dresser, then what is? Well, call me finicky, but unfortunately the bottle doesn’t quite live up to expectations ‘in the flesh’. Don’t get me wrong; it is beautiful, just not as stunning as the pictures originally led me to think. Whatever could be my problem with it, you ask? I am afraid it is the faceted blue glass part of the flacon that I find disappointing. 
In the pictures it appears to be delicate enough to allow light to permeate through, allowing one to gaze upon the perfume within as though it were a starlit blue lagoon over which Titania, Queen of Fairies was ever present. In reality, it is a thick, hefty, almost opaque and rather dull-colored blue hand grenade that does nothing to excite the imagination. And if I’m allowed to complain just a little bit more, I’ll just have to say that I really wanted Van Cleef & Arpels to pull a Lolita Lempicka on us and let us spray through the fairy, instead of making her just a cap. Well all right. It’s still rather pretty, I guess. 
I am just as surprised at rather liking the juice within as I am at not falling in love with the bottle. The opening is briefly gentle and light – a tiny bit of buttery iris, a smidgen of green freshness and slightly sugary violet leaves. After the subtle, pretty intro, the intensity suddenly picks up: the aroma of dark cassis berres, appropriately and quite realistically sweet and sour fills the air. At first their edible aroma is briefly touched by sparkling citrus fruit, subsequently is it rounded beautifully with a certain nutty flavor and when that too (all too soon!) disappears the fragrance settles into its longest stage: berries strewn over dusty yet effusive rose. At once sweet and dry, this interplay should normally hold my interest, but unfortunately I find the intense rose scent very, very disagreeable and I cannot detect the promised jasmine at all. A great disappointment, since I found the first ten minutes of Feerie’s development extremely promising. 
The drydown is simple, gently floral in an abstract way, greenish and quite delicate, with hints of musk. For my tastes it lacks warmth and depth and I have to say that this is the most generic and insipid stage of a quite well done perfume, which is a shame. All in all I found the top and middle of the development quite interesting; they resemble, as Abigail astutely pointed out Creed’s Love in Black “minus the edginess”.Images: Folie des Pres Fairy Clip, Envole Bracelet, Feerie bottle and Feerie Timepiece images, all www.vancleef-arpels.com
