I was not planning to write a special review for
Mother’s Day, in fact, I had been preparing a different review for today. But something happened yesterday, a strange coincidence, a little touch of fate that prompted me to suspend the piece I had prepared, in order to write this one, a
Mother’s Day special.
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As it has probably become clear by now, Saturday mornings are perfume exploration days for me and yesterday was no exception. I went to a specific perfume boutique to try out some fragrances I was not very familiar with, in order to decide which one to order online from a gift certificate I’d been given some days ago. I was walking purposefully next to the countless shelves of perfumes to reach the specific section, when my eye caught a certain blue box that made me stop dead in my tracks:
Montana Parfum de Peau by
Claude Montana. My heart missed a beat; I had not seen it in years, more than a decade to be exact. I thought that it was out of circulation and that I’d never happen upon it again. I was immediately flooded with emotion: On the day that every boutique in town was filled with shoppers buying gifts for
Mother’s Day, I happened upon the one long-lost perfume that says
'mom' to me like no other. The coincidence was not lost on me; I knew I had to buy it and write a
Mother’s Day special for today.
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My mom has never been fickle with her fragrance choices. She always picks a single signature scent and sticks with it for years until something prompts her to change it. During the time that I was growing up she went through three different perfumes:
Paris by
Yves Saint Laurent,
Nina by
Nina Ricci and
Montana by
Claude Montana. Out of the three, only
Paris is still widely available. And out of the three, it is
Montana that rouses the strongest memories inside me. Wearing it now, I become a child again, reliving a scenario so oft-repeated it’s been imprinted in my mind like a schema. My mother is about to go out for the evening with my dad and she laughingly puts me into her bed to watch her, as she is getting ready. “Do I look alright, darling?” I nod, wide-eyed and utterly in awe of her dramatic blue eyes, shiny blonde hair and extravagant eighties outfit. She is about to leave and there is one last touch to complete her outfit, the perfume. Apprehension – I know my nose is going to sting and burn for a while before I can start enjoying it. I do not know whether I love or hate this perfume, but I say nothing of the sort. It forms a peppery cloud around her and she tells me I can sleep in her bed as she presses her nose against mine. The scented trail she leaves behind is so strong, it will stay with me for hours, in the air, on my skin, on the bed linen. Mom.
Paris was youthful innocence,
Nina was a return to romantic femininity, but
Montana was always my mother as a sexual animal, a self-confident woman filled with joie de vivre and sensuality. A side of her that took me a while to consolidate with her daily image.
Montana is a floral chypre that opens up with an overwhelming burst of pepper and cardamom, combined with juicy fruits that excite the senses and leave the nose tingling. The ginger and carnation at the perfume’s heart enhance and prolong the peppery spiciness, while rose and tuberose give the fragrance depth and substance. It is the base notes however, which turn this into a truly magical concoction: amber, cedar, patchouli, olibanum, vetiver, oakmoss, musk, civet and by far my favorite of all animalic notes, castoreum, all blend together
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perfectly, leaving me breathless, gasping for more in a state of addiction. Not only is
Montana extremely unique and grossly, clashingly peculiar, it is also deviant by nature. Having forgotten all about it for years and now experiencing it again, I realize now I had been looking for controversy and dissonance in all the wrong places. No wonder
Muscs Koublai Khan smelled tame and friendly to me, when my olfactory bulb still retained the memory of
Montana in its depths. Fur, sex and exuberant abandon were all waiting for me there to be rediscovered and no substitute would do. Seeing the listing of oakmoss on the box makes me surmise that this is a fresh bottle. Hopefully that means we will never have to part again.
I’d always thought of my preference for perfumes that sting and burn the nasal
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cavity (
Paloma Picasso,
Rose Cardin,
Wrappings...) as a personal idiosyncrasy, a very personal taste I’d somehow developed. I thought of it as a personal quirk, an eccentric oddity of taste. Only now do I realize where it stems from and the reality of this leaves me slightly shaken, as though part of my originality has been stolen away. Yet at the same time I’ve gained insight;
“Know thyself” advised the ancient Greeks and I do know just a little bit more now. My bond with my mom has been strengthened. The invisible line that connects us has been reinforced one more time.
I love you, mama. Happy Mother’s Day, this one’s for you.
Images of Montana ads through the years, courtesy of imagesdeparfums.perso.orange.fr
Image of Montana on fur, my own.